Maybe
Tomorrow
album
by
The Iveys
compiled by Tom
Brennan
last update: November 17, 2022
MAYBE TOMORROW
recorded July 23, 1968 - March 05, 1969
at Trident, Olympic and Morgan Studios, London
produced by Tony Visconti and Mal Evans
An early test pressing (acetate) in stereo of the album had a
different running order, as follows...
Side One:
Beautiful And Blue [version 1]
See-Saw, Granpa
Dear Angie
Think About The Good Times
Yesterday Ain't Coming Back
Fisherman [version 1]
Side Two:
I'm In Love [version 1]
Angelique [version 1]
Sali Bloo
Maybe Tomorrow
They're Knocking Down Our Home
I've Been Waiting
The final running order...
Side One:
See-Saw, Granpa
Beautiful
And Blue [version 1]
Dear Angie
Think About The
Good Times
Yesterday Ain't
Coming Back
Fisherman
[version 1]
Side Two:
Maybe Tomorrow
Sali Bloo
Angelique
[version 1]
I'm In Love
[version 1]
They're Knocking
Down Our Home
I've Been
Waiting
EUROPE & JAPAN
The cover had the title printed in white letters except for
Italy which was in red.
Germany: August 29?, 1969 on Apple 1C 062-90 150
Germany
LP side 1 label | Germany
LP side 2 label | Germany
LP inner sleeve 1 | Germany
LP inner sleeve 2
Italy, release on August 29, 1969 on Apple 3C 062-90 150
Italy LP
side 1 label | Italy
LP side 2 label
Japan
LP release on September 10, 1969 on Apple AP-8719 [red
vinyl insert song titles]
cassette release: Apple TOCP-7099
U.K.
LP release on July 4, 1969 withdrawn (a few copies
were pressed) on Apple SAPCOR 8
Note: Ron Kass, the head of Apple Records in the U.K. had just been
fired by Klein. Kass was a big supporter of The Iveys.
CD release on SAPCOR8
cassette reissue release on TC SAPCOR8
U.S.A.
release intended for May 19, 1969 then July 14, 1969
on Apple ST-3355.
A page from Apple's catalog thru May, 1969. Note that the Lomax track
listing was changed from this one at the last minute to include his new
single, "New Day", replacing "How Can You Say Goodbye", thus no longer
matching the British line-up. Had the Iveys LP been released at the same
time as Jackie's, the release date would have been May 19, 1969. Note
also that the Iveys cover shown here appears to be the one with the
light green background that is shown below, rather than the final, dark
green version. This catalog page was probably prepared in April, 1969
based on this information.
Different album cover art for the U.S. version of the Maybe Tomorrow LP
was prepared in April 1969. The U.S. release was scheduled for May, then
delayed until July, and then eventually withdrawn because of the
disappointing sales and chart position of the single. Also, Allen Klein
had just taken over Apple, and multiple record releases were postponed
while Klein tried to straighten out the company's financial situation.
Shown here is one of the proofs for the front cover. Note that the
original background was light green. A handwritten note to see someone
named Mitch is written on the proof to get the background color changed
to dark green to blend in with the color of the Iveys' suits as seen on
the final version (CD cover shown).
Shown here is the upper right corner of the American LP back cover proof
with U.S. Apple catalog number ST-3355.
Atmospheric pictures of the Swansea rock scene were also taken but left
out.
U.S. CD release on June 30, 1992 on Apple SAPCOR 8 (CDP 7 98692 2)
[CD label]
Did anyone notice that Apple reversed the negative of this album cover?
The second picture has the photo oriented correctly.
CD track listing...
See-Saw, Granpa
produced by Mal Evans
Beautiful
And Blue [version 1] produced by Mal Evans
Dear Angie
produced by Tony Visconti
Think About The
Good Times produced by Tony Visconti
Yesterday Ain't
Coming Back produced by Tony Visconti
Fisherman
[version 1] produced by Mal Evans
Maybe Tomorrow
produced by Tony Visconti
Sali Bloo [CD
remix] produced by Tony Visconti
Angelique
[version 1] produced by Tony Visconti
I'm In Love
[version 1] produced by Tony Visconti
They're Knocking
Down Our Home produced by Mal Evans
I've Been
Waiting produced by Glyn Johns
CD Bonus Tracks:
No Escaping Your
Love produced by Tony Visconti
Mrs. Jones
produced by Tony Visconti
And Her
Daddy's A Millionaire produced by Tony Visconti
Looking For My
Baby (aka Hi-Fi Piddly Po) [demo] produced by The Iveys
digitally remastered at Abbey Road Studios, London, England, October
1991, from the original 2-track stereo master mix tapes and 8-track
master session tapes (bonus tracks), except for "Looking For My Baby"
which is mono.
bonus tracks (except for "Looking For My Baby") remixed for stereo by
Ron Furmanek & Mike Jarratt
engineered by Mike Jarratt
research by Ron Furmanek
CD liner notes by Steve Kolanjian
Side A:
1. Maybe Tomorrow
2. See Saw Grandpa
Side B:
3. Angelique
4. Think About The Good Times
