Ass
album
by Badfinger
compiled by Tom
Brennan
last update: August 04, 2022
ASS
recorded:
October 22, 1972-May 11, 1973
at Apple
Studios, Morgan Studios, and Olympic Studios, London, and The Manor,
Oxford
produced by: Chris Thomas & Badfinger
(*Todd Rundgren)
mixed by: Chris Thomas
& Badfinger
engineered by: John Mills (Apple & Morgan), Antom & Phil
(Olympic), Tom Newman & Simon Hayes (The Manor)
thanks to: Fergie, Tag & Nick
original sleeve design by Peter Corriston and David Heffernan of
A.G.I.
photographs by Tony Beresford-Cooke and Peter Corriston
U.S. release on November 26, 1973 on Apple SW-3411.
Cash Box top 175 album chart: Peaked at #61 on February 2, 1974.
Charted for 10 weeks from December 15, 1973 to February 16, 1974.
U.K. release on March 8, 1974 on Apple SAPCOR 27 (CD: 7243 8
53899 2 4). [promo
label side 1 | promo
label side 2]
Side One:
Apple Of
My Eye
Get Away
Icicles
The
Winner
Blind Owl
Side Two:
Constitution
When I Say
Cowboy
I Can Love
You
Timeless
Badfinger:
Pete Ham - guitar, piano, synthesizer, vocals
Tom Evans - bass guitar, vocals
Joey Molland - guitar, piano, vocals
Mike Gibbins - drums, vocals
ASS
Apple 8XW-3411
Program 1:
Apple Of My Eye
Icicles
The Winner
Program 2:
Blind Owl
Constitution
When I Say
Program 3:
Get Away
Cowboy
I Can Love You (part 1)
Program 4:
I Can Love You (concl.)
Timeless
U.K. CD release in
September, 1996 on
Apple CDSAPCOR 27 (7243 8 53899 2 4), reissued on June 19, 2004.
Re-issue digitally remastered by Ron Furmanek and engineered by Peter
Mew at Abbey Road Studios, London, England from the original 2-track
stereo master mix tapes.
"Do You Mind" was remixed from the 16-track master session tape by Ron
Furmanek and Chris Ludwinski.
Re-issue package by Phil Smee at Waldo's Design & Dream Emporium.
Sleeve notes by Andy Davis, August, 1996.
This CD's artwork reproduction is horrible. Instead of the original LP's
tan/beige background, it's yellow, and the sky on the front cover looks
purple instead of dark blue.
CD bonus track:
Do You Mind
Comments (by Tom Brennan):
The sessions for the album that was to eventually become "Ass" began as
an extension of the final "Straight Up" sessions with producer Todd
Rundgren in January, 1972. The group had a falling out with Rundgren
after only a week of sessions, which resulted in the recording of only
two tracks: "I Can Love You" and "The Winner". No further sessions took
place for several months while Badfinger went on the road (mainly in the
U.S.) to promote "Straight Up". During the second half of the touring
period, Mike Gibbins left the group (in June) to spend more time with
his family and to make some solo recordings with some of his Welsh
mates. When Badfinger returned to Apple Studios to continue sessions for
their final album for Apple, they were forced to utilise the services of
several different session drummers. In addition, this time they were
producing themselves, something they had been requesting for quite some
time, so they could have greater control over their own sound. Some of
the songs from "Straight Up" had proven difficult to reproduce on stage
because of the overdubs and double-tracking techniques that had been
used by George Harrison and Todd Rundgren. Gibbins returned to the
studio (and the band) in October, 1972. The group were now able to get
more serious and complete an album by January, 1973 after accomplishing
very little during September, 1972 with several different fill-in
drummers. A mixed album was delivered to Apple with excellent songs such
as "When I Say" and "Blind Owl" by Tom, "Timeless" and "Apple Of My Eye"
by Pete, "Get Away" & the two Rundgren produced songs by Joey, and a
Badfinger version of Mike's "Cowboy" which he had recorded solo in 1972.
It was quickly rejected [see next section for rejected track listing],
much like their follow-up to "No Dice" back in 1971, most likely due to
the inclusion of weak songs such as "Regular", a novelty song by Joey,
and "Piano Red" a blues parody by Pete. To salvage the album, Chris
Thomas was brought in to produce, much like Todd Rundgren had been hired
to salvage "Straight Up". New sessions took place in April at Olympic
Studios which resulted in some new, excellent tracks by Molland:
"Constitution" and "Icicles". For some unknown reason, another Molland
track, "Do You Mind" was just simply dropped, possibly because the band
were not able to come up with the definitive version that was to
everyone's satisfaction. The album was finally approved by Apple for
release, however, the release was delayed due to a dispute with Apple
Publishing, where Badfinger manager Stan Polley was holding back
Molland's copyrights from Apple so he could make certain demands from
them. Two songs from the sessions that failed to make either cut of the
album were "Dreaming" by Joey which was a blues-based rocker with Pete
Ham playing lead guitar, and an unfinished song by Tom, called "Rock 'N'
Roll" which never had a proper lead vocal recorded. These failed to make
the cut yet again in 1996 when they were considered for release as bonus
tracks on the CD reissue of "Ass". Luckily, "Do You Mind" was restored
as part of the CD release.
U.S. CD release on October 25, 2010 on Apple (5099964243924) [CD
label]
Remastered by Guy Massey, Steve Rooke, Sam Okell from the original
2-track stereo master mix tapes
Abbey Road Project Coordinator: Allan Rouse
Audio Restoration: Simon Gibson
Album Reissue Producers: Andy Davis, Mike Heatley
EMI Project Manager: Guy Hayden
Tea, sympathy and guidance: Jeff Jones, Jonathan Clyde & Garth
Tweedale
Notes by Andy Davis
Special thanks to Joey Molland
Album Re-design: Darren Evans
Apple archive management: Aaron Bremner
Photo & memorabilia research: Carl Bigmore, Dorcas Lynn & Andy
Davis
This CD's artwork reproduction is slightly better than the 1996
edition, but the background color now looks more orange than tan/beige
like on the original LP. The darker clouds on the front cover look
greenish instead of dark gray and the transition between the two
background colors doesn't match the original.
2010 CD Bonus Tracks:
11. Do You Mind [previously unreleased version] produced by Badfinger
12. Apple Of My Eye [previously
unreleased early mix] produced by Badfinger
13. Blind Owl [previously unreleased version] produced by Badfinger
14. Regular [previously unreleased] produced by Badfinger
15. Timeless [previously unreleased version] produced by Badfinger
Download-only bonus tracks:
Get Away [in-progress rough version]
When I Say [in-progress rough version]
The Winner [in-progress rough version]
I Can Love You [in-progress rough version]
Piano Red [previously unreleased]
ASS
[unreleased version]
recorded:
September 9, 1972-February 14, 1973
at Apple
Studios, Morgan Studios, Trident Studios, Olympic Studios, and AIR
Studios, London, and The Manor, Oxford
produced by: Todd Rundgren & Badfinger
U.K. CD release of "Do You Mind" in September, 1996
on Apple SAPCOR 27.
Side One:
Get Away
When I Say
Apple
Of My Eye
The
Winner
Blind Owl
Do You
Mind
Side Two:
Piano Red
Cowboy
Regular
I Can
Love You
Timeless
info thanks to Dan Matovina's Badfinger biography, "Without You-The Tragic Story of Badfinger"
Foreign
pressings:
Australia (1973) on Apple SAPCOR 27 [front
cover and side 1 label]
Canada (1973) on Apple SW-3411 [front
cover and side 1 label]
New Zealand (1973) on Apple SAPCOR 27 [ back
cover | side
1 label (sliced Apple) | side
2 label (whole Apple) ]
Japan (1973) on Apple
EAP-80948 [front
cover | booklet
cover]
France (1974) on Apple 2C 066-95.191 [front cover | gatefold | side 1 label | side 2 label]
Japan (February 23, 2005) on Apple
TOCP-67565 (CD in mini-LP format) [front
cover | back
cover]
Album
ads:
JC Penney albums and tapes ad from Van Nuys Valley News: December 27, 1973
LP
& Tape Price Blast from Capitol - Apple - Island from The
Central New Jersey Home News: January 06, 1974
Korvettes
ad from Chicago Tribune: January 31, 1974
Falk's
Washington's Birthday Sale ad from The Morning Call, Allentown,
PA: February 14, 1974
Album reviews
Billboard:
December 01, 1973 (U.S.)
Cash
Box: December 01, 1973 (U.S.)
Hyde
Park Herald, Chicago, IL: December 05, 1973
Messenger
Press, Allentown, NJ: January 17, 1974
Rolling
Stone: January 31, 1974 (U.S.)
Calgary
Herald: February 22, 1974 (Canada)
Journal
Inquirer, Manchester, CT: March 09, 1974
Fusion:
March 1974
Miami News, April 03, 1974
Zoo
Review: April 11, 1974
New
Musical Express: April, 1974 (U.K.)
Melody
Maker:
April 27, 1974 (U.K.)
Circus:
May 1974 (U.S.)
Phonograph:
May, 1974
Stereo
Review: August, 1974 (U.S.)
thanks to Dan Matovina
publishing
lawsuit:
Badfinger
Plea on 'Ass ' Denied - Billboard: March 9, 1974
special items:
Album
artwork
USA promo poster
Apple acetate of album [side
1 label]
IBC acetate of album [side
1 label]
Trident Studios tape for "Apple Of My Eye" and "The Winner" [tape
reel box, back]
AIR Studios tape for "I Can Love You" (good vocal) [tape
reel box, back]
"The Manor" studios
ad
session photos:
The
Manor Studios, stills from the "Love Is Easy" promo film [Badfinger
| Pete
with cans on | Tom
in front of mic | Joey
| Mike
| The Manor]
filmed
by Tony Beresford-Cooke © estate of Tony
Beresford-Cooke
Olympic
Studios: April, 1973 from
back cover of Ass LP, photo by Tony Beresford-Cooke
© estate of Tony Beresford-Cooke
Olympic
Studios: April, 1973 (Tom holding microphone) from
booklet of 2010 Ass CD, photo by Tony Beresford-Cooke
© estate of Tony
Beresford-Cooke
Olympic
Studios: April, 1973 (Tom with hand on microphone boom) from
Those Were The Days book by Stefan Granados, photo by Tony
Beresford-Cooke
© estate of Tony Beresford-Cooke
Olympic
Studios: April, 1973 (everyone smiling except Mike) photo
by Tony Beresford-Cooke
© estate of Tony Beresford-Cooke
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