An Apple A Day
More Pop-Psych Sounds from the
Apple Era 1967-1969
by Various Artists including
The Iveys
compiled by Tom Brennan
last update: August 03, 2024
An Apple A Day
The Iveys' tracks recorded 1967-1968
at 7 Park Avenue, London
produced by The Iveys
A new 22-track CD from the vaults of
Apple Publishing featuring 4 previously unreleased recordings by The Iveys was released
on April 10, 2006 on the RPM (Cherry Red) label (RPM312) and on April 27, 2006 in the U.S.A.
Complete track listing:
track # |
song title | artist | details | recorded (unless noted) |
01 |
An Apple A Day | The U (Don't) No Who | sourced from acetate; demo recorded at Hollick & Taylor Studio (Birmingham) | early 1968 |
02 |
A Great Idea | Jigsaw | originally released as the B-side of "Mr. Job" on Music Factory CUB4 | released in 1968 |
03 |
Ivy Unrehearsed | Gallagher & Lyle | demo | 1968 |
04 |
I Am Nearly There | Denis Couldry | A-side released on Decca Records | 1968 |
05 |
Black & White Rainbows | The Iveys | 2-track Revox demo recorded at 7 Park Avenue, London | 1967 |
06 |
Girl Next Door In The Miniskirt | The Iveys | 2-track Revox demo recorded at 7 Park Avenue, London | 1967 |
07 |
Soldier | Lace | previously unreleased, recorded at Abbey Road Studios | Summer 1968 |
08 |
Technicolour Dream | Gallagher & Lyle | demo | 1968 |
09 |
In Your Wonderful Way | Gallagher & Lyle | demo | 1968 |
10 |
People Who Are Different | Mortimer | demo (shorter LP version recorded at Trident Studios) | 1969 |
11 |
Tomorrow Today | The Iveys | 2-track Revox demo recorded at 7 Park Avenue, London | 1968 |
12 |
James In The Basement | Denis Couldry | B-side of "I Am Nearly There" released on Decca Records | 1968 |
13 |
Strange People | The U (Don't) No Who | sourced from acetate; demo recorded at Hollick & Taylor Studio (Birmingham) | early 1968 |
14 |
Charlotte Rose | Majority One | released as a single A-side | early 1969 |
15 |
Somebody's Turning On The People | Goldrush | studio project of Grapefruit producer Terry Melcher; recorded by Grapefruit for the BBC | 1968 |
16 |
Fairytale | Second Hand | Denis Couldry's backing group; included on Second Hand's debut Polydor LP "Reality" | released September 1968 |
17 |
Sister Saxophone | Turquoise | sourced from acetate; previously unreleased | Summer 1968 |
18 |
Now And Again Rebecca | The U (Don't) No Who | demo recorded at Hollick & Taylor Studio (Birmingham) | early 1968 |
19 |
Mr. Strangeways | The Iveys | 2-track Revox demo recorded at 7 Park Avenue, London | 1967 |
20 |
Good As Gold | The Cups (Gallagher & Lyle) | single release produced by John Hewlett | early 1969 |
21 |
Woodstock | Turquoise | alternate version of the A-side of their 2nd & final Decca single released in November 1968 | 1968 |
22 |
Evil Loving Woman | Peter Cooper | demo; signed by John Hewlett; from tape source | 1969 |
Jigsaw are represented by the song "A
Great Idea" which is a bouncy piano-based pop song that features saxophone.
It was previously released on the B-side of their debut single "Mr. Job"
in 1968. The original record label is reproduced in the CD packaging.
Gallagher & Lyle were Scottish songwriters signed to Apple Publishing. They
were the most professional songwriting team signed to Apple, having over 40 songs
published, including several by Apple Records artist Mary Hopkin. Three of their
original demos are included here. "Ivy Unrehearsed" (no relation
to The Iveys) is an upbeat acoustic pop song. The song was never recorded by anyone
outside of this demo. "Technicolour Dreams", the most interesting
of their demos included here, is a psychedelic acoustic folk song. Their third track
in this collection, "In Your Wonderful Way" is a soft piano ballad
that sounds like it could have been done by Tommy James and the Shondells.
Denis Couldry was a Decca recording artist signed to Apple Publishing by Terry
Doran. Both sides of his first single for Decca are included in this collection.
Denis was backed by the band, The Next Collection who later became Second Hand (who
have one track on this CD). "I Am Nearly There" feature an Eric
Burdon style vocal during the verses and a frenetic chorus. "James In The
Basement" is a laid-back mid-tempo number that features piano, trumpet and
an electric guitar played with a wah-wah pedal.
The Iveys are back with 4 more Apple Publishing demos recorded at their home
studio at 7 Park Avenue in London. "Black & White Rainbows"
is a Pete Ham composition that features him on wah-wah lead guitar, Ron Griffiths
on bass guitar, Dai Jenkins on rhythm guitar and Mike Gibbins on drums. Ron &
Dai sing response backing vocals to Pete Ham's lead. The ending sounds like it was
influenced by The Who's "Pictures Of Lily", which was a recent release
in the U.K. "Girl Next Door In The Miniskirt" [mis-titled on
this CD] is a Pete Ham song that some collectors may have heard on a tape that's
been traded among collectors for years or on a bootleg CD called "Someday We'll
Be Known". However, this version has a different set of lyrics! Tomorrow
Today is a previously unheard song written by Tom Evans that features chiming
guitars. Ron Griffiths helps out Tommy on lead vocals. "Mr. Strangeways"
by Ron Griffiths is another song that has been previously heard on the "Someday
We'll Be Known" bootleg CD. However this different version is more polished
than that one and includes drums, an extra guitar part, and a circus-like piano ending
tacked on for good measure.
Lace was a group from Portsmouth, England that included members John Bullock,
John Ray, Roger Barber & Peter Pinckney. They were signed to EMI in the summer
of 1968 and recorded their first session at Abbey Road. The Donovan sounding "Soldier"
was considered for their first single but was rejected for being "too gloomy".
This was 1 of 3 demos recorded on a simple reel-to-reel at Apple (the other 2 are
presumably lost). Their first single release for EMI, recorded at Abbey Road was
"People People".
Mortimer were an American trio consisting of Tom Smith, Tony Van Benschaten,
and Guy Masson. They were signed to Apple Records after being on Mercury Records
in early 1968. They were attracted to Apple when they heard on the radio in London
that Mary Hopkin needed new songs. Peter Asher produced their LP for Apple Records
which was completed in May 1969 and included the Beatles song "On Our Way Home"
a.k.a. "Two Of Us". Mortimer were forgotten once Allen Klein took over
and nothing by them was ever issued by Apple Records. More than 30 songs were written
and several demo recordings were made, one of which is included here, "People
Who Are Different" which sounds like it could have been a Mamas & The
Papas song. A shorter version of this demo was recorded at Trident Studios for their
Apple LP.
Majority One recorded a single called "Charlotte Rose" in
early 1969. Written by George Alexander, it (not surprisingly) sounds like a Grapefruit
song. The song features a nice orchestral arrangement and beautiful harmonies.
Goldrush was another outlet for George Alexander compositions. "Somebody's
Turning On The People", featured on this collection, was a song also recorded
by Grapefruit, but only for the BBC. With its organ sound and harmonies, it sounds
like a Beach Boys influenced song.
Second Hand was a band who used to back singer Denis Couldry when they were called
The Next Collection. Their song "Fairytale" was featured on their
LP, called "Reality". This psychedelic pop song sounds like it could have
fit in very well on the Zombies' Odyssey & Oracle LP with its mellotron sound.
Turquoise was a band featuring songwriters Jeff Peters and Ewan Stephens. They
were signed to Apple Publishing in July of 1968. Two of the three Turquoise songs
assigned to Apple Publishing's Python Music subsidiary are featured here. The first,
"Sister Saxophone" is a silly honky tonk piano based song with a
reprise ending after the engineer says "come on, get yourself together".
This track is sourced from an acetate disc. The second track included here is an
alternate version of their second and final single for Decca Records. It's called
"Woodstock" but has no relation to the song written by Joni Mitchell
about the NY festival, having been released in November of 1968. This "Woodstock"
is about a candy store.
The Cups were an alter ego for songwriters Gallagher & Lyle, used in early
1969 to record their song "Good As Gold". Although the song was
a commercial sounding upbeat pop song, it failed to raise the professional profile
of the songwriting team. While part of Apple, only Mary Hopkin ended up recording
several of their compositions, one of which, "Sparrow" resulted in them
winning a cake from Paul McCartney! Gallagher & Lyle left Apple in the summer
of 1969 when they joined McGuiness Flint.
Peter Cooper composed 28 songs for Apple. He was one of the few signed as
a result of his tape being mailed to the Apple offices. His "Evil Loving
Woman" is a good guitar-based Rock song. Yardbirds producer Giorgio Gomelsky
recorded some songs with Peter but they never got released.
This CD compilation is a must-have for any fan of sixties pop music or any fan of
Badfinger. It also includes an excellent essay by "Those Were The Days"
author Stefan Granados, as well as rare photos and memorabilia from the days of Apple
Publishing in 1967-1969.
Tom Brennan, April 30, 2006 (research information thanks to Stefan Granados and
Dan Matovina
An Apple A Day CD tray card [inner | outer]
An Apple A Day liner
notes sample
preliminary cover art with the wrong years listed...
and a preliminary track listing from February 2006...
01. An Apple A Day
02. A Great Idea
03. Ivy Unrehearsed
04. Black & White Rainbows
05. Girl Next Door In The Miniskirt
06. Soldier (1968 demo)
07. Technicolour Dream
08. People Who Are Different (demo)
09. Strange People
10. Charlotte Rose
11. Somebody's Turning On The People
12. In Your Wonderful Way (demo)
13. Something To Hold On To
14. Now And Again Rebecca
15. Mr. Strangeways
16. Midnight Sun (demo)
17. Mary's Got A Home (demo)
18. Everyday [listed as "Everday"]
19. An Apple A Day (version 2)
20. Evil Loving Woman
Note: tracks listed in red were not issued